More TIFF bits from my guest blogger, the nutty film fan that shares my bed and his reviews on movies, some of which this fan skipped. I’ll let you guess which ones I loved too. Tune in Monday to hear my list.
REVIEWS – TIFF – DAY 7
MANCHESTER BY THE SEA – Lee (Casey Affleck in a performance of a lifetime) is a loner handyman in Boston, who avoids people and small talk. When not working he is alone in his basement apartment or picking a drunken fight at a bar with anyone who looks his way. It doesn’t take long to figure out be has a deep sadness from another life.
His brother dies and Lee returns to his hometown to deal with his teenage nephew, the estate, and his past. Through a series of dramatic flashbacks, we learn of Lee’s personal tragedy. It is a devastating moment in the film.
This film has Oscars all over it. It is a simple story, about ordinary life, extraordinary pain. At times, very difficult to watch. It is the film everyone is talking about in the line-ups. Run, don’t walk, to see it.
HARMONIUM – An uneventful family life is disrupted by the arrival of a mysterious man. He is the husband’s old friend, just released from prison. He joins the family as an employee and live-in guest. His gentle manners cannot conceal his disquieting presence and unresolved past.
A powerful tale of crime and punishment within the tight confines of a family drama. Slow-paced but riveting.
PARK – Set on the grounds of the decaying Olympic Village built for the 2004 games. A group of teenagers pass their time playing in this parched concrete wasteland. Victims of Greece’s economic catastrophe with no hope, no future but resilient. The director uses non-professional actors in this verity style realism film. A style and a film that is…not for everyone.
REVIEWS – TIFF – DAY 8
GRADUATION – A young woman is attacked on her way to school just before her final exams are set to begin. Her father, a prominent and well-connected doctor, is obsessed with his daughter’s potential. A scholarship to Cambridge depends on the results of those exams.
Cristian Mungiu won Best Director at Cannes for this morality play in which good intentions cannot ward off corruption. I trace my continued interest in Romanian cinema back to Mungiu’s brilliant 4 Months, 3 Weeks and 2 Days. Once again, he doesn’t disappoint with his masterful ability to explore human nature.
UNKNOWN GIRL – The door bell to a clinic rings only once. An overworked doctor, whose clinic closed an hour late to accommodate patients, does not answer. The next morning, the unidentified girl who ran the door bell turns up dead. Our young doctor, consumed by guilt, sets out to find the identity of the girl. In the process, she closes in on the killer.
This film drove me crazy with its convenient plot twists. As luck should have it, all the potential witnesses are her patients. Her Nancy Drew routine of “trust me, I’m a doctor, tell me what you know” was comical. As it turns out the routine was effective because in the end it gets her the confession. All she needed was persistence and her film-long look of permanent constipation. Nonsense.
NEVER EVER – Never ever see this film.
RAGE – The film opens with the aftermath of a grizzly murder. It then follows three different stories. Each one includes a mysterious character that could be the killer. As disturbing questions arise about each suspect and we are challenged to decide who is the killer.
Great idea that worked for most of the film. I really wanted this to work. Unfortunately, it falls apart in the last half hour. The conclusion of each of the three stories ranged from melodramatic to silly. Very disappointed.