Peter’s reviews continue. Let me know what you think in the space below. Should I keep him around?
REVIEWS – TIFF – DAY 5
NOCTURNAL ANIMALS – Susan (Amy Adams) is a successful but unhappy art dealer in LA. Her second marriage is in trouble. A manuscript arrives from her long-estranged first husband Tony (Jake Gyllenhaal). Alone in her house, with her husband away, she starts reading the manuscript and is propelled into the fictional life of a teacher (also Gyllenhaal) whose drive to his summer house is about to turn into a nightmare. As Susan gets deeper and deeper into the book, ahe is forced to examine her own past.
Stylish and absolutely gorgeous to look at but much more than an exercise in esthetics. Ford, who was quite the charmer at the Q+A, moves the story effortlessly between Susan’s reality and the Tony’s manuscript, drama and suspense.
Thoroughly enjoyed this film. A must see.
JACKIE – Chilean director Pablo Larrain masterfully films this fresh take on the Kennedy assassination. Told through the eyes of Jacqueline Kennedy (Natalie Portman), Larrain uses a series of finely-crafted flashbacks that cover that fateful day in Dallas and the events leading to the funeral. You have never seen the assassination filmed from the perspective of the former first lady sitting in the convertible.
Stellar script, unique perspective, and a lock on the Oscar for Portman.
ARRIVAL – Alien space ships arrive on earth. Language professor Amy Adams and physicist Jeremy Renner are in a race against time to learn how to communicate with the aliens and their intentions. Throw in a time-shifting angle and there’s your film.
If the lesson here is “a new language gives you a new perspective”, I got it. Unfortunately, I didn’t feel the suspense, the urgency of the mission.
I wasn’t expecting Independence Day 3 from Denis Villeneuve (please, no ID3) but just a little more excitement.
Note from Anne. You’re all wet on this one. More after the smorgasbord.
AMERICAN HONEY – A Dickensian gang of misfits and runaways criss-crossing the Midwest selling fraudulent magazine subscriptions. Drugs, booze, fights and trashed motel rooms. No hope, no future, attitude and bravado to hide pain and insecurity. Shot in verité style realism with mostly non-professional actors with a dead or dying America as a backdrop.
I understand that it is an “important film” but I didn’t need 158 minutes of it. Powerful but way too long.
REVIEWS – TIFF – DAY 6
BLEED FOR THIS – There is only so much you can do with a boxing film. You overcome adversity and win or lose (in a split decision) the title fight. The real draw for me was Miles Teller, the up-and-coming young actor I last saw in Whiplash. A great performance in a film with a decent script. See this before Rocky 42 or Creed 17.
BIRTH OF THE DRAGON – One day, someone will make a film about Bruce Lee that does not have a paint by numbers, two–dimensional character script.
THE SALESMAN – Their Tehran apartment block on the verge of collapse, a couple (Emad and Rana) are forced to move into a shabby nearby flat. Soon after, Rana is attacked by an intruder while taking a shower. In the aftermath, things turn strange and tense for the couple. Feeling vengeful and confused, Emad plays detective while Rana is in a state of shock. Meanwhile, the two are performing as Wily and Linda Loman in an amateur production of Arthur Miller’s Death of a Salesman.
Director Farhadi’s A Separation won the Oscar for Best Foreign Film. At Cannes this year, Salesman received prizes for Best Actor and Best Screenplay. Masterfully crafted, great pace and performances.
ASURA: CITY OF MADNESS – Korean crime dramas generally don’t disappoint. This had all the makings of a solid cop film. Formerly good, now bad cop, dying wife, doing dirty work for corrupt mayor, painted into a corner by Internal Affairs to cooperate or go to jail. Big production budget.
Unique angles in the car chase scenes and fights. Solid acting. Unfortunately it gets stupid. A prolonged, over-the-top, lazy bloodbath ending.
We’re in the home stretch now. Peter will wrap up his reviews here on Sunday. For my take on some of these films (we saw many together) and some others he missed, check back here Monday.